We think we know what upward mobility stories are
about--virtuous striving justly rewarded, or unprincipled social
climbing regrettably unpunished. Either way, these stories seem
obviously concerned with the self-making of self-reliant
individuals rather than with any collective interest. In "Upward
Mobility and the Common Good," Bruce Robbins completely overturns
these assumptions to expose a hidden tradition of erotic social
interdependence at the heart of the literary canon.
Reinterpreting novels by figures such as Balzac, Stendhal,
Charlotte Bronte, Dickens, Dreiser, Wells, Doctorow, and Ishiguro,
along with a number of films, Robbins shows how deeply the material
and erotic desires of upwardly mobile characters are intertwined
with the aid they receive from some sort of benefactor or mentor.
In his view, Hannibal Lecter of "The Silence of the Lambs" becomes
a key figure of social mobility in our time. Robbins argues that
passionate and ambiguous relationships (like that between Lecter
and Clarice Starling) carry the upward mobility story far from
anyone's simple self-interest, whether the protagonist's or the
mentor's. Robbins concludes that upward mobility stories have
paradoxically helped American and European society make the
transition from an ethic of individual responsibility to one of
collective accountability, a shift that made the welfare state
possible, but that also helps account for society's fascination
with cases of sexual abuse and harassment by figures of
authority."
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