Holding up a mirror to the present, the exhibition homes in on our
current conflicts – from right-wing populism to identity
politics. It allows us to ask, from the distance of a generation,
what time we are actually living in. Is Postmodernity really over
– or are we in the middle of it? The year 1967 marked the
beginning of our present: Modernism, which had presumed that
everything could be sorted out through equal housing, furniture and
rights for all, was abandoned, and from its ruins a bizarre,
eccentric world was born. Architects declared the amusement park
the new ideal city; designers shook off the yoke of good taste, and
the conflict between the two dominant political systems gave way to
the struggle for self-realisation. New media synchronised the
globe, and images became the arena in which contests for style and
recognition were waged. Showcasing spectacular examples of design,
architecture, cinema, pop, philosophy, art and literature, the
exhibition chronicles the dawn of the information society, the
unleashing of the financial markets, the great age of subcultures,
disco, punk and techno-pop, shoulder pads and Memphis furniture. It
also chronicles the sudden surge in the construction of museums,
the new temples of art and culture, to which we owe the largest
exhibit, the Bundeskunsthalle itself. When the Bundeskunsthalle
opened in 1992, the Cold War was over, and Francis Fukuyama
published his famous book, in which he proclaimed ‘the end of
history’ as such. Thirty years later, it is clear that history
did not come to an end, and Postmodernism is once again a matter of
considerable debate.
General
Imprint: |
Hirmer Verlag GmbH
|
Country of origin: |
Germany |
Release date: |
2024 |
Editors: |
Bundeskunsthalle Bonn
|
Contributors: |
Simon Kelly
• Courtney Books
|
Dimensions: |
280 x 240mm (L x W) |
Pages: |
288 |
ISBN-13: |
978-3-7774-4276-1 |
Categories: |
Books
|
LSN: |
3-7774-4276-3 |
Barcode: |
9783777442761 |
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