Byron Almen proposes an original synthesis of approaches to
musical narrative from literary criticism, semiotics,
historiography, musicology, and music theory, resulting in a
significant critical reorientation of the field. This volume
includes an extensive survey of traditional approaches to musical
narrative illustrated by a wide variety of musical examples that
highlight the range and applicability of the theoretical apparatus.
Almen provides a careful delineation of the essential elements and
preconditions of musical narrative organization, an eclectic
analytical model applicable to a wide range of musical styles and
repertoires, a classification scheme of narrative types and
subtypes reflecting conceptually distinct narrative strategies, a
wide array of interpretive categories, and a sensitivity to the
dependence of narrative interpretation on the cultural milieu of
the work, its various audiences, and the analyst. A Theory of
Musical Narrative provides both an excellent introduction to an
increasingly important conceptual domain and a complex reassessment
of its possibilities and characteristics."
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