Carla Martin-Wood explores the human spirit like an adventurer in a
new world. She delves into the structure of what drives each of us
through her own experience. In seasons, in time, in the beauty and
wonder of our earth she exposes our mortal nature until all flesh
disappears. In these poems we discover this new place where light
shines on immortal bones. - Lise Whidden, Pushcart Prize nominee,
author of "Rosa's Blue Underwear," (The Pink Petticoat Press, 2013)
Carla Martin-Wood's latest collection of poetry is a personal
journey through anguish, revelation and release. The title poem
depicts the human spirit in transcendence and triumph over the
obstacles confronted in life, while other poems examine the solace
found in the natural world and a faith that has both challenged and
fortified this pilgrimage toward spiritual freedom. Extraordinary
language, vivid imagery and originality define this book's
excellence on every level. - Wendy Howe, Pushcart Prize nominee,
freelance writer, and former editor of "The Baroque Review"
From the loss of an estranged brother to the fall of JFK, Carla
Martin-Wood's poetry confronts mortality head-on and never looks
away. Yet hers is an art with "many pockets" from which spill
images of rare and indelible power, and in the process, she finds
both her own redemption and the reader's reward. The "bonecage"
forms her central motif: the means by which we meld the temporal
with the ethereal. Its bars hold us back only until we learn to
open them. - Brenda Levy Tate, Pushcart Prize nominee, author of
"Wingflash" (The Pink Petticoat Press, 2010)
Carla Martin-Wood's "out of the bonecage singing" takes readers
beyond the ordinary into transcendence. She weaves keen
observations of the natural world and awareness of its cycles,
within cycles of traditions. Her profound insights on mortality are
stunning and beautiful. Her language will grip you and pull you
into her inner realizations. - Joanne Uppendahl, Pushcart Prize
nominee, author of "She Who Gathers Stones"
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