This innovative collection, featuring three plays by Carlos
Morton, spans five centuries of Mexican and Mexican American
history. In the tradition of "teatro campesino," these plays
present provocative revisions of historical events.
The first play, "La Malinche," challenges the historical record
of the tragic clash between Indians and Spaniards. The
near-mythical La Malinche, who betrayed her country for love of
Hernan Cortez but was then betrayed by him, is freed from the bonds
of history to have her vengeance. She saves her legacy and destroys
the legacy of the conquistador. In the second play, "Dreaming on a
Sunday in the Alameda," characters from a mural by painter Diego
Rivera come to life to depict four centuries of Mexican history.
Among these, Frida Kahlo, Rivera's wife, finally steps out of his
shadow as a woman and artist in her own right. "Esperanza," a
libretto for an opera, tells the story of Mexican miners who
labored in twentieth-century Silver City, New Mexico. Based on the
classic movie "Salt of the Earth," this play deftly portrays the
crisis that foretold the rise of the Chicano movement.
General
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