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Caught between the Lines - Captives, Frontiers, and National Identity in Argentine Literature and Art (Hardcover)
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Caught between the Lines - Captives, Frontiers, and National Identity in Argentine Literature and Art (Hardcover)
Series: New Hispanisms
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Caught between the Lines examines how the figure of the captive and
the notion of borders have been used in Argentine literature and
painting to reflect competing notions of national identity from the
nineteenth to the twenty-first centuries. Challenging the
conventional approach to the nineteenth-century trope of
"civilization versus barbary," which was intended to criticize the
social and ethnic divisions within Argentina in order to create a
homogenous society, Carlos Riobo traces the various versions of
colonial captivity legends. He argues convincingly that the
historical conditions of the colonial period created an ethnic
hybridity-a mestizo or culturally mixed identity-that went against
the state compulsion for a racially pure identity. This mestizaje
was signified not only in Argentina's literature but also in its
art, and Riobo thus analyzes colonial paintings as well as texts.
Caught between the Lines focuses on borders and mestizaje (both
biological and cultural) as they relate to captives: specifically,
how captives have been used to create a national image of Argentina
that relies on a logic of separation to justify concepts of
national purity and to deny transculturation.
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