Exploring the emotional and cultural influences on Pierre Boulez's
early works as well as the role surrealism and French culture of
the 1930s and 40s played in shaping his radical new musical
concepts. Pierre Boulez's (1925-2016) creative output has mostly
been studied from an analytical perspective in the context of
serialism. While Boulez tends to be pigeonholed as a cerebral
composer, his interest in structure coexisted with extreme visceral
energy. This book redresses the balance and stresses the febrile
cultural environment of Paris in the 1940s and the emotional side
of his early works. Surrealism, in particular, had an impact on
Boulez's formative years that has until now been underexplored.
There are intriguing links between French music and surrealism in
the 1930s and 40s, arising within a cultural context where
surrealism, ethnography and the emerging discipline of
ethnomusicology were closely related. Potter situates the young
Boulez within this environment. As an emerging musician, he
explored radical new musical concepts alongside peers including
Yvette Grimaud, Serge Nigg and Yvonne Loriod, performing and
exchanging ideas with them. This book argues that authors
associated with surrealism, especially René Char but also Antonin
Artaud and André Breton, were crucial to Boulez's musical
development. It enhances our understanding of his work by
connecting it with significant trends in contemporary French
culture, refocusing Boulez studies away from detailed musical
analysis and towards a broader and more visceral, emotional
response to his work.
General
Imprint: |
Boydell & Brewer
|
Country of origin: |
United Kingdom |
Release date: |
February 2024 |
First published: |
2024 |
Authors: |
Caroline Potter
|
Dimensions: |
234 x 156mm (L x W) |
Pages: |
224 |
ISBN-13: |
978-1-83765-085-9 |
Categories: |
Books
|
LSN: |
1-83765-085-3 |
Barcode: |
9781837650859 |
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