In her new book, Carolyn Abbate considers the nature of operatic
performance and the acoustic images of performance present in
operas from Monteverdi to Ravel. Paying tribute to music's
realization by musicians and singers, she argues that operatic
works are indelibly bound to the contingency of live singing,
playing, and staging. She seeks a middle ground between operas as
abstractions and performance as the phenomenon that brings opera
into being.
Weaving between opera's "facts of life" and a series of works
including "The Magic Flute, Parsifal," and" Pelleas," Abbate
explores a spectrum of attitudes towards musical performance, which
range from euphoric visions of singers as creators to uncanny
images of musicians as lifeless objects that have been resuscitated
by scripts. In doing so, she touches upon several critical issues:
the Wagner problem; coloratura, virtuosity, and their critics; the
implications of disembodied voice in opera and film; mechanical
music; the mortality of musical sound; and opera's predilection for
scenes positing mysterious unheard music. An intersection between
transcendence and intense physical grounding, she asserts, is a
quintessential element of the genre, one source of the rapture that
operas and their singers can engender in listeners.
"In Search of Opera" mediates between an experience of opera
that can be passionate and intuitive, and an intellectual
engagement with opera as a complicated aesthetic phenomenon.
Marrying philosophical speculation to historical detail, Abbate
contemplates a central dilemma: the ineffability of music and the
diverse means by which a fugitive art is best expressed in words.
All serious devotees of opera will want to read this imaginative
book by s music-critical virtuoso."
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