Japanese popular culture has been steadily increasing in visibility
both in Asia and beyond in recent years. This book examines
Japanese popular music, exploring its historical development,
technology, business and production aspects, audiences, and
language and culture.
Based both on extensive textual and aural analysis, and on
anthropological fieldwork, it provides a wealth of detail, finding
differences as well as similarities between the Japanese and
Western pop music scenes. Carolyn Stevens shows how Japanese
popular music has responded over time to Japan's relationship to
the West in the post-war era, gradually growing in independence
from the political and cultural hegemonic presence of America.
Similarly, the volume explores the ways in which the Japanese
artist has grown in independence vis-a-vis his/her role in the
production process, and examines in detail the increasingly
important role of the jimusho, or the entertainment management
agency, where many individualartists and music industry
professionals make decisions about how the product is delivered to
the public. It also discusses the connections to Japanese
television, film, print and internet, thereby providing through pop
music a key to understanding much of Japanese popular culture more
widely.
General
Imprint: |
Routledge
|
Country of origin: |
United Kingdom |
Series: |
Media, Culture and Social Change in Asia |
Release date: |
September 2007 |
First published: |
2008 |
Authors: |
Carolyn Stevens
|
Dimensions: |
234 x 156 x 18mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
194 |
ISBN-13: |
978-0-415-38057-7 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
0-415-38057-X |
Barcode: |
9780415380577 |
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