Japanese popular culture has been steadily increasing in
visibility both in Asia and beyond in recent years. This book
examines Japanese popular music, exploring its historical
development, technology, business and production aspects,
audiences, and language and culture.
Based both on extensive textual and aural analysis, and on
anthropological fieldwork, it provides a wealth of detail, finding
differences as well as similarities between the Japanese and
Western pop music scenes. Carolyn Stevens shows how Japanese
popular music has responded over time to Japan's relationship to
the West in the post-war era, gradually growing in independence
from the political and cultural hegemonic presence of America.
Similarly, the volume explores the ways in which the Japanese
artist has grown in independence vis-a-vis his/her role in the
production process, and examines in detail the increasingly
important role of the jimusho, or the entertainment management
agency, where many individual artists and music industry
professionals make decisions about how the product is delivered to
the public. It also discusses the connections to Japanese
television, film, print and internet, thereby providing through pop
music a key to understanding much of Japanese popular culture more
widely.
General
Imprint: |
Routledge
|
Country of origin: |
United Kingdom |
Series: |
Media, Culture and Social Change in Asia |
Release date: |
2009 |
First published: |
2008 |
Authors: |
Carolyn Stevens
|
Dimensions: |
234 x 156 x 14mm (L x W x T) |
Format: |
Paperback
|
Pages: |
186 |
ISBN-13: |
978-0-415-49221-8 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
0-415-49221-1 |
Barcode: |
9780415492218 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!