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Changing the Tune - The Kansas City Women's Jazz Festival, 1978-1985 (Hardcover)
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Changing the Tune - The Kansas City Women's Jazz Festival, 1978-1985 (Hardcover)
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Even though the potential passage of the Equal Rights Amendment had
cracked glass ceilings across the country, in 1978 jazz remained a
boys' club. Two Kansas City women, Carol Comer and Dianne Gregg,
challenged that inequitable standard. With the support of jazz
luminaries Marian McPartland and Leonard Feather, inaugural
performances by Betty Carter, Mary Lou Williams, an unprecedented
All-Star band of women, Toshiko Akiyoshi's band, plus dozens of
Kansas City musicians and volunteers, a casual conversation between
two friends evolved into the annual Kansas City Women's Jazz
Festival (WJF). But with success came controversy. Anxious to
satisfy fans of all jazz styles, WJF alienated some purists. The
inclusion of male sidemen brought on protests. The egos of
established, seasoned players unexpectedly clashed with those of
newcomers. Undaunted, Comer, Gregg, and WJF's ensemble of
supporters continued the cause for eight years. They fought for
equality not with speeches but with swing, without protest signs
but with bebop. For the first book about this groundbreaking
festival, Carolyn Glenn Brewer interviewed dozens of people and
dove deeply into the archives. This book is an important testament
to the ability of two friends to emphatically prove jazz
genderless, thereby changing the course of jazz history.
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