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Narrative and Its Nonevents - The Unwritten Plots That Shaped Victorian Realism (Hardcover)
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Narrative and Its Nonevents - The Unwritten Plots That Shaped Victorian Realism (Hardcover)
Series: Victorian Literature and Culture Series
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This book is about what does not happen in the Victorian novel. The
description may sound absurd, yet consideration of alternatives to
a given state of affairs is crucial to our understanding of a
novel. Plot emerges out of the gradual elimination of
possibilities, from the revelation, on the first page of a work,
that we are in nineteenth-century London and not sixteenth-century
Paris, to the final disclosure that Pip returns home too late to
marry Biddy but is now free to pursue his lost love Estella.
Through careful examination of the plots of such classics as
Charles Dickens's Great Expectations, Charlotte Bronte's Villette,
Wilkie Collins's The Moonstone, Jane Austen's Pride and Prejudice,
Henry James's The Ambassadors, Elizabeth Gaskell's Mary Barton, and
others, Glatt argues for the central role of these "unwritten
plots" in Victorian narrative construction. Abandoning the
allegorical mode-in which characters are bound by fixed identities
to reach a predetermined conclusion-and turning away from classical
and historical plots with outcomes already known to audiences, the
realist novel of the Victorian era was designed to simulate the
openness and uncertainty of ordinary human experience. We are
invested in these stories of David Copperfield or Elizabeth Bennet
or Lucy Snowe in part because we cannot be entirely sure how those
stories will end. As Glatt demonstrates, the Victorian novel is
characterized by a proliferation of possibilities.
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