First published in 1985, The Subject of Tragedy takes the drama of
the sixteenth and seventeenth centuries as the starting point for
an analysis of the differential identities of man and woman.
Catherine Belsey charts, in a range of fictional and non-fictional
texts, the production in the Renaissance of a meaning for
subjectivity that is identifiably modern. The subject of liberal
humanism - self-determining, free origin of language, choice and
action - is highlighted as the product of a specific period in
which man was the subject to which woman was related.
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