Books > Medicine > Pre-clinical medicine: basic sciences > Human reproduction, growth & development > Reproductive medicine > Infertility & fertilization
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Making Parents - The Ontological Choreography of Reproductive Technologies (Paperback, New Ed)
Loot Price: R1,225
Discovery Miles 12 250
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Making Parents - The Ontological Choreography of Reproductive Technologies (Paperback, New Ed)
Series: Inside Technology
Expected to ship within 10 - 15 working days
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Winner, 2007 Rachel Carson Prize given by the Society for Social
Studies of Science (4S). Assisted reproductive technology (ART)
makes babies and parents at once. Drawing on science and technology
studies, feminist theory, and historical and ethnographic analyses
of ART clinics, Charis Thompson explores the intertwining of
biological reproduction with the personal, political, and
technological meanings of reproduction. She analyzes the
"ontological choreography" at ART clinics--the dynamics by which
technical, scientific, kinship, gender, emotional, legal,
political, financial, and other matters are coordinated--using
ethnographic data to address questions usually treated in the
abstract. Reproductive technologies, says Thompson, are part of the
increasing tendency to turn social problems into biomedical
questions and can be used as a lens through which to see the
resulting changes in the relations between science and society.
After giving an account of the book's disciplinary roots in science
and technology studies and in feminist scholarship on reproduction,
Thompson comes to the ethnographic heart of her study. She develops
her concept of ontological choreography by examining ART's
normalization of "miraculous" technology (including the etiquette
of technological sex); gender identity in the assigned roles of
mother and father and the conservative nature of gender relations
in the clinic; the naturalization of technologically assisted
kinship and procreative intent; and patients' pursuit of agency
through objectification and technology. Finally, Thompson explores
the economies of reproductive technologies, concluding with a
speculative and polemical look at the "biomedical mode
ofreproduction" as a predictor of future relations between science
and society.
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