When did the sentimental start to mean awful? Why are many popular
mainstream films so often dismissed for their sentimentality? What
are the key differences between the sentimental and the
melodramatic? These are some of the questions to be addressed in
this illuminating genealogy of the sentimental as both literary
genre and aesthetic philosophy, a tradition that prefigures the
advent of film yet serves as a vital framework for understanding
its emotional and ethical appeals.
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