"" In the fall, I went for walks and brought home bones. The best
bones weren't on trails-- deer and moose don't die conveniently--
and soon I was wandering so far into the woods that I needed a map
and compass to find my way home. When winter came and snow blew
into the mountains, burying the bones, I continued to spend my days
and often my nights in the woods. I vaguely understood that I was
doing this because I could no longer think; I found relief in
walking up hills. When the night temperatures dropped below zero, I
felt visited by necessity, a baseline purpose, and I walked for
miles, my only objective to remain upright, keep moving, preserve
warmth. When I was lost, I told myself stories . . ."
"So Charles D' Ambrosio recounted his life in Philipsburg, Montana,
the genesis of the brilliant stories collected here, six of which
originally appeared in "The New Yorker," Each of these eight
burnished, terrifying, masterfully crafted stories is set against a
landscape that is both deeply American and unmistakably universal.
A son confronts his father's madness and his own hunger for
connection on a misguided hike in the Pacific Northwest. A
screenwriter fights for his sanity in the bleak corridors of a
Manhattan psych ward while lusting after a ballerina who sets
herself ablaze. A Thanksgiving hunting trip in Northern Michigan
becomes the scene of a haunting reckoning with marital infidelity
and desperation. And in the magnificent title story, carpenters
building sets for a porn movie drift dreamily beneath a surface of
sexual tension toward a racial violence they will never fully
comprehend. Taking place in remote cabins, asylums, Indian
reservations, the backloads of Iowa and the streets of Seattle,
this collection of stories, as muscular and challenging as the best
novels, is about people who have been orphaned, who have lost
connection, and who have exhausted the ability to generate meaning
in their lives. Yet in the midst of lacerating difficulty, the
sensibility at work
in these fictions boldly insists on the enduring power of love. D'
Ambrosio conjures a world that is fearfully inhospitable, darkly
humorous, and touched by glory; here are characters, tested by
every kind of failure, who struggle to remain human, whose lives
have been sharpened rather than numbed by adversity, whose
apprehension of truth and beauty has been deepened rather than
defeated by their troubles. Many writers speak of the abyss.
Charles D' Ambrosio writes as if he is inside of it, gazing upward,
and the gaze itself is redemptive, a great yearning ache, poignant
and wondrous, equal parts grit and grace.
A must read for everyone who cares about literary writing, "The
Dead Fish Museum" belongs on the same shelf with the best American
short fiction.
"From the Hardcover edition."
General
Imprint: |
Vintage Books
|
Country of origin: |
United States |
Series: |
Vintage Contemporaries |
Release date: |
April 2007 |
First published: |
April 2007 |
Authors: |
Charles D'Ambrosio
|
Dimensions: |
204 x 132 x 17mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
236 |
ISBN-13: |
978-1-4000-7793-9 |
Categories: |
Books >
Fiction >
Special features >
Short stories
Promotions
|
LSN: |
1-4000-7793-1 |
Barcode: |
9781400077939 |
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