This volume of essays by the distinguished musicologist Charles
Hamm focuses on the context of popular music and its
interrelationships with other styles and genres, including
classical music, the meaning of popular music for audiences, and
the institutional appropriation of this music for hegemonic
purposes. Specific topics include the use of popular song to rouse
anti-slavery sentiment in mid-nineteenth-century America, the
reception of such African-American styles and genres as rock 'n'
roll and soul music by the black population of South Africa, the
question of genre in the early songs of Irving Berlin, the attempts
by the governments of South Africa and China to impose specific
bodies of music on their populations, the persistence of the
minstrel show in rural twentieth-century America and the impact of
modernist modes of thought on writing about popular music.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Release date: |
November 2006 |
First published: |
1995 |
Authors: |
Charles Hamm
|
Dimensions: |
229 x 152 x 23mm (L x W x T) |
Format: |
Book
|
Pages: |
404 |
Edition: |
New ed |
ISBN-13: |
978-0-521-02861-5 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
Promotions
|
LSN: |
0-521-02861-2 |
Barcode: |
9780521028615 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!