Mention southern drama at a cocktail party or in an American
literature survey, and you may hear cries for "Stella " or laments
for "gentleman callers." Yet southern drama depends on much more
than a menagerie of highly strung spinsters and steel
magnolias.
Charles Watson explores this field from its eighteenth- and
nineteenth-century roots through the southern Literary Renaissance
and Tennessee Williams's triumphs to the plays of Horton Foote,
winner of the 1994 Pulitzer Prize. Such well known modern figures
as Lillian Hellman and DuBose Heyward earn fresh looks, as does
Tennessee Williams's changing depiction of the South -- from
sensitive analysis to outraged indictment -- in response to the
Civil Rights Movement.
Watson links the work of the early Charleston dramatists and of
Espy Williams, first modern dramatist of the South, to later
twentieth-century drama. Strong heroines in plays of the
Confederacy foreshadow the spunk of Tennessee Williams's Amanda
Wingfield. Claiming that Beth Henley matches the satirical
brilliance of Eudora Welty and Flannery O'Connor, Watson connects
her zany humor to 1840s New Orleans farces.With this work, Watson
has at last answered the call for a single-volume, comprehensive
history of the South's dramatic literature. With fascinating detail
and seasoned perception, he reveals the rich heritage of southern
drama.
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