The digitised spectacles conjured by a word like `blockbuster’
may create a certain cognitive dissonance with received ideas about
French cinema – long celebrated as a model for philosophical,
economic and aesthetic resistance to globalised popular culture.
While the Gallic `cultural exception’ remains a forceful current
to this day, this book shows how the onslaught of Hollywood
mega-franchises and new media platforms since the 1980s has also
provoked an overtly commercialised response from French producers
eager to redefine the stakes and scope of their own traditions.
Cutting across a swath of recent French-produced cinema, French
Blockbusters offers the first book-length consideration of the
theoretical implications, historical impact and cultural
consequences of recent popular films that are rapidly changing what
it means to make – or to see – a `French’ film today. From
English-language action vehicles like Valérian and the City of a
Thousand Planets (Besson, 2017) to revisionist historical films
like Of Gods and Men (Beauvois, 2011) and crowd-pleasing comedies
like Intouchables (Tolédano & Nakache, 2011), the variously
filiated `local blockbusters’ from contemporary France brim with
the seeds of cultural contradiction, but also with the energy of a
forceful counter-history.
General
Imprint: |
Edinburgh University Press
|
Country of origin: |
United Kingdom |
Series: |
Traditions in World Cinema |
Release date: |
July 2019 |
Authors: |
Charlie Michael
|
Dimensions: |
234 x 156 x 20mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
224 |
ISBN-13: |
978-1-4744-2423-3 |
Categories: |
Books >
Arts & Architecture >
General
|
LSN: |
1-4744-2423-6 |
Barcode: |
9781474424233 |
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