This book is the first anthology of research devoted to the booming
world of Chinese film festivals, covering both mainstream and
independent films. It also explores festivals in the
Chinese-speaking world and festivals of Chinese films in the rest
of the world. The book asks how Chinese film festivals function as
sites of translation, translating Chinese culture to the world and
world culture to Chinese-speaking audiences, and also how the
international film festival model is being transformed as it is
translated into the Chinese-speaking world.
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