Did the 1990s see cinema, as a medium and collective experience,
become subsumed into a converging universe of multiple-media? Does
our understanding of "cinema" need to be reconsidered to
accommodate emerging digital possibilities for the moving image? In
"Light Readings, " leading critic Chris Darke revisits his writing
addressing these important questions. The book is divided into
three sections which reflect Darke's ongoing interests --
contemporary art cinema, French cinema, and the overlapping
territories of film, video, and the art gallery.
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