The poems in Chris Jennings's long-awaited debut poetry collection
are linked at their core by a preoccupation with the ways objects
or moments become charged with meaning. Narrative occupies the
territory of memory, making the most ordinary things--a classified
ad, the odds and ends of an estate auction, graffiti, an antique
lancet, a vegetable stand--touchstones and reliquaries of other
lives. Sometimes reserved, sometimes exploring what a poet can do
with excess, Jennings moves fluidly between objective detachment,
quiet intimacy and the tone of a cynic in a sentimental mood.
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