Land art encompasses the full spectrum of human responses to a
specific landscape over time. From the perspective of architect
Chris Taylor and artist Bill Gilbert, land art ranges from the
inscription of pictographs and petrogylphs to the construction of
roads, dwellings, and monuments, as well as traces of those
actions. It includes gestures both small and grand, directing our
attention from potsherd, cigarette butt, and mark in the sand to
human settlements, monumental artworks, and military/industrial
projects such as hydroelectric dams and decommissioned
airfields.
In Land Arts of the American West, Taylor and Gilbert present
the results of a remarkable ongoing collaboration in which they
investigate and create land art with students from the University
of Texas and the University of New Mexico. The land arts program
was started by Bill Gilbert in 2000 and has developed as a
collaboration between Gilbert and Taylor since 2002. The
description of the program in this book is organized around places
that the authors and their students visit during a two-month
journey each fall, ranging from Native American sites such as Chaco
Canyon, to man-made industrial structures such as Hoover Dam and
Lake Mead, to monumental earthworks such as Robert Smithson's
Spiral Jetty in the Great Salt Lake.
Each place in Land Arts comes alive through color photographs
accompanied by descriptive information about the site's natural and
human history; students' journal entries that present first-person
experiences of the place; and essays by experts in archaeology, art
history, architecture, writing, activism, studio art, and design
who join the group as they travel. Woven throughout the text is a
conversation among Taylor, Gilbert, and writer William L. Fox, who
draws the authors out about the land art program's origins,
pedagogic mission, field operations, interactions with guest
lecturers, and future directions.
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