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Dress Culture in Late Victorian Women's Fiction - Literacy, Textiles, and Activism (Hardcover, New Ed)
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Dress Culture in Late Victorian Women's Fiction - Literacy, Textiles, and Activism (Hardcover, New Ed)
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In her immensely readable and richly documented book, Christine
Bayles Kortsch asks us to shift our understanding of late Victorian
literary culture by examining its inextricable relationship with
the material culture of dress and sewing. Even as the Education
Acts of 1870, 1880, and 1891 extended the privilege of print
literacy to greater numbers of the populace, stitching samplers
continued to be a way of acculturating girls in both print literacy
and what Kortsch terms "dress culture." Kortsch explores
nineteenth-century women's education, sewing and needlework,
mainstream fashion, alternative dress movements, working-class
labor in the textile industry, and forms of social activism,
showing how dual literacy in dress and print cultures linked women
writers with their readers. Focusing on Victorian novels written
between 1870 and 1900, Kortsch examines fiction by writers such as
Olive Schreiner, Ella Hepworth Dixon, Margaret Oliphant, Sarah
Grand, and Gertrude Dix, with attention to influential predecessors
like Elizabeth Gaskell, Charlotte Bronte, and George Eliot.
Periodicals, with their juxtaposition of journalism, fiction, and
articles on dress and sewing are particularly fertile sites for
exploring the close linkages between print and dress cultures.
Informed by her examinations of costume collections in British and
American museums, Kortsch's book broadens our view of New Woman
fiction and its relationship both to dress culture and to
contemporary women's fiction.
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