Burdened by famine, the plague, and economic hardship in the
1500s, the troubled citizens of Milan, mindful of their mortality,
turned toward the veneration of the Virgin Mary and the creation of
evangelical groups in her name. By 1594 the diversity of these lay
religious organizations reflected in microcosm the varied
expressions of Marian devotion in the Italian peninsula. Using
archival documents, meditation and music books, and iconographical
sources, Christine Getz examines the role of music in these Marian
cults and confraternities in order to better understand the
Church's efforts at using music to evangelize outside the confines
of court and cathedral through its most popular saint. Getz reveals
how the private music making within these cults, particularly among
women, became the primary mode through which the Catholic Church
propagated its ideals of femininity and motherhood.
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