"Tragic Play" explores the deep philosophical significance of
classic and modern tragedies in order to cast light on the tragic
dimensions of contemporary experience. Romanticism, it has often
been claimed, brought tragedy to an end, making modernity the age
"after" tragedy. Christoph Menke opposes this modernist prejudice
by arguing that tragedy remains alive in the present in the
distinctively new form of the playful, ironic, and self-consciously
performative. Through close readings of plays by William
Shakespeare, Samuel Beckett, Heiner M?ller, and Botho Strauss,
Menke shows how tragedy re-emerges in modernity as "tragedy of
play." In "Hamlet," "Endgame," "Philoktet," and "Ithaka," Menke
integrates philosophical theory with critical readings to
investigate shifting terms of judgment, curse, reversal,
misfortune, and violence.
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