A new picture of music at the basilica of St. Peter's in the
fifteenth century emerges in Christopher A. Reynolds's fascinating
chronicle of this rich period of Italian musical history. Reynolds
examines archival documents, musical styles, and issues of artistic
patronage and cultural context in a fertile consideration of the
ways historical and musical currents affected each other. This work
is both a historical account of performers and composers and an
examination of how their music revealed their cultural values and
educational backgrounds. Reynolds analyzes several anonymous masses
copied at St. Peter's, proposing attributions that have
biographical implications for the composers. Taken together, the
archival records and the music sung at St. Peter's reveal a much
clearer picture of musical life at the basilica than either source
would alone. The contents of the St. Peter's choirbook help
document musical life as surely as that musical life—insofar as
it can be reconstructed from the archives—illumines the
choirbook. This title is part of UC Press's Voices Revived program,
which commemorates University of California Press’s mission to
seek out and cultivate the brightest minds and give them voice,
reach, and impact. Drawing on a backlist dating to 1893, Voices
Revived makes high-quality, peer-reviewed scholarship accessible
once again using print-on-demand technology. This title was
originally published in 1995.
General
Imprint: |
University of California Press
|
Country of origin: |
United States |
Release date: |
May 2022 |
First published: |
1995 |
Authors: |
Christopher Alan Reynolds
|
Dimensions: |
229 x 152 x 30mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
458 |
ISBN-13: |
978-0-520-36025-9 |
Categories: |
Books
Promotions
|
LSN: |
0-520-36025-7 |
Barcode: |
9780520360259 |
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