Drawing on insights from the modern "process" philosophy of
Bergson, William James, and A. N. Whitehead, Christopher Hasty's
Meter as Rhythm releases meter from its mechanistic connotations
and recognizes it as a concrete, visceral agent of musical
expression. Hasty reinterprets oppositions of law and freedom,
structure and process, determinacy and indeterminacy to form a
theory that engages diverse repertories and aesthetic issues. The
revised 20th anniversary edition facilitates the work's current
contexts of application, from new subfields in ethnomusicology and
music cognition to non-music fields like literary studies, physics,
and biology.
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