English eighteenth-century music is comparatively neglected as an
academic topic despite its increasing popularity with listeners,
both on record and in the concert hall. Yet England in the
eighteenth century was the scene of the liveliest and most various
musical activity. The essays in this book, by leading English and
American scholars, are devoted to the social and intellectual
background, and to the composers who dominated the period,
including Handel and Haydn.
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