In this guide to Pelleas and Melisande, Maeterlinck's original play
is reprinted in full, so that the opera lover can read the scenes
that Debussy did not set to music. Hugh Macdonald's much praised
English translation is published here for the first time, with an
essay uncovering the musical roots of Pelleas and Melisande and
illustrating its importance to the music of the twentieth century.
Alain Raitt, author of several studies of symbolist writers,
evaluates Maeterlinck's status as a dramatist, and Roger Nichols
analyses the score. Proust's short pastiche of the opera and Arthur
Symons's review of the first English performances challenge us to
come to terms with this eternally intriguing masterpiece. Contents:
Something Borrowed, Something New, Hugh Macdonald; A Musical
Synopsis, Roger Nichols; Maeterlinck and the Theatre, Alan Raitt;
Profound or Pretentious?, Nicholas John; Pelleas et Melisande: text
by Maurice Maeterlinck; Pelleas and Melisande: English Translation
by Hugh Macdonald
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