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Where to live? - The Houses in Howards End (Paperback)
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Where to live? - The Houses in Howards End (Paperback)
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Seminar paper from the year 2004 in the subject English Language
and Literature Studies - Literature, grade: 1,0,
Humboldt-University of Berlin, course: Masculinity in the Late
Victorian and Early Edwardian Novel, 10 entries in the
bibliography, language: English, abstract: The paper 'Where to live
- The Houses in Howards End' shows in which way E. M. Forster
associates certain housing conditions with special types of
character, in how far he thinks that housing conditions influence
the way people are and behave and what conclusion he draws as to
where to live. Basically, there are three different types of houses
portrayed in the novel: the dwelling place of the urban lower
middle class, London town houses, and country houses. It can be
argued that there are differences between these types of houses and
also that the narrator differs the houses' quality among
themselves. Taking the city - country dichotomy as a starting
point, the paper discusses the standpoint Forster takes towards the
quality of these houses when he shows that they are 'alive' or not
(whether they possess life, spirit or souls).It is explained in
which way the economic status of the main characters of the novel
(the Schlegels, the Wilcoxes and the Basts) is reflected in their
respective housing-conditions and what position Forster takes
towards housing at the beginning of the twentieth century in
general. The paper also relates to some of the current views and
popular concepts of Forster's time on the different housing
conditions of people. Taking a look at some general statements
about living in the city versus living in the country and living in
flats versus living in houses, it is explained what the narrator's
preferences are as to where one should live. The paper discusses in
how far this attitude is reflected in the narrator's decision about
the ideal place to live for his heroine Margaret Schlegel and in
how far this solution is a realistic one.
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