A critical evaluation of Philip Roth--the first of its
kind--that takes on the man, the myth, and the work
Philip Roth is one of the most renowned writers of our time.
From his debut, "Goodbye, Columbus," which won the National Book
Award in 1960, and the explosion of "Portnoy's Complaint "in 1969
to his haunting reimagining of Anne Frank's story in "The Ghost
Writer "ten years later and the series of masterworks starting in
the mid-eighties--"The Counterlife," "Patrimony," "Operation
Shylock," "Sabbath's Theater," "American Pastoral," "The
Human""Stain"--Roth has produced some of the great American
literature of the modern era. And yet there has been no major
critical work about him until now.
Here, at last, is the story of Roth's creative life. "Roth Unbound
"is not a biography--though it contains a wealth of previously
undisclosed biographical details and unpublished material--but
something ultimately more rewarding: the exploration of a great
writer through his art.
Claudia Roth Pierpont, a staff writer for "The New Yorker," has
known Roth for nearly a decade.""Her carefully researched and
gracefully written account""is filled with remarks from Roth
himself, ""drawn from their ongoing conversations. Here
are""insights and anecdotes that will change the way""many readers
perceive this most controversial and""galvanizing writer: a young
and unhappily married""Roth struggling to write; a wildly
successful Roth, ""after the uproar over "Portnoy," working to help
writers""from Eastern Europe and to get their books known""in the
West; Roth responding to the early, Jewish--and the later,
feminist--attacks on his work. Here""are Roth's family, his
inspirations, his critics, the""full range of his fiction, and his
friendships with such figures as Saul Bellow and John Updike.
Here""is Roth at work and at play.
"Roth Unbound" is a major achievement--a highly readable story
that helps us make sense of one of the most vital literary careers
of the twentieth and twenty-first centuries.
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