In this book, Clemente Marconi provides a new interpretation for
the use of figural decoration in Greek temples of the archaic
period, through a study of the archaic metopes of Selinus. The
study of figural decoration on Greek temples has traditionally been
identified with the broader study of architectural sculpture. At
the same time, the original, articulated appearance of archaic
temples has been fragmented into a discussion of individual types.
Marconi argues against both the typological approach and the
tendency to investigate style and iconography as two aspects
unrelated to the cultural and social background within which temple
decoration operated. He explores the relation between style and
function and examines the function of figures on temples within the
cultural and social context of the communities for which these
images were created. Critical to this exploration are the
reintegration of the figures into the fabric of buildings, the
space of archaic sanctuaries and cities, and the ritual dimension
that represented the context for the reception of the figural
decoration of Greek temples.
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