Histories of British theatre between 1918 and 1939 have tended to
marginalize the commercial and mainstream in favour of the literary
or the politically motivated. This volume brings together a
collection of essays that reflect both a far more complex theatre
world than this strategy has allowed for, and scholarship on
mainstream and alternative theatres in the 1920s and 1930s.
Combining the popular with the commercial, the book includes
accounts of the craze for thriller and detective plays and musical
comedy and revue, alongside analyses of historical pageantry and
the development of politicized productions of Shakespeare. With
assessments of the representation of gender and sexuality in the
theatre, this volume not only unveils hitherto neglected theatre
practices but also places them in the context of a society
undergoing rapid social and cultural change. It will appeal to
advanced undergraduates and postgraduates and scholars interested
in twentieth-century British theatre.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Series: |
Cambridge Studies in Modern Theatre |
Release date: |
November 2007 |
First published: |
August 2007 |
Editors: |
Clive Barker
• Maggie B. Gale
|
Dimensions: |
228 x 152 x 18mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
272 |
ISBN-13: |
978-0-521-04450-9 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Theatre, drama >
General
|
LSN: |
0-521-04450-2 |
Barcode: |
9780521044509 |
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