The overthrow of the ‘gang of four’ in 1976 had profound
effects in all areas of Chinese society, and probably nowhere can
this be seen more clearly than in the performing arts. Jiang Qing,
Mao Zedong’s widow, was strongly interested in the performing
arts and exercised great influence over them. Professor Mackerras
describes this influence and the effects its removal had on the
arts in the years after Mao’s death, as well as in the years
following the Cultural Revolution. This book, first published in
1981, deals not only with opera, the spoken play, music and dance
but also with cinema, describing how in all these cases the Chinese
have adapted traditional art forms for political, social and
propagandist purposes, both domestic and international. It charts
the transformations that have taken place in all the multiple
aspects of the performing arts and sets them against the
development of Chinese society as a whole. It also looks at the
role of the actor and performer in society, including their
training, social status and livelihood.
General
Imprint: |
Routledge
|
Country of origin: |
United Kingdom |
Series: |
Routledge Library Editions: Chinese Literature and Arts |
Release date: |
September 2023 |
Authors: |
Colin Mackerras
|
Dimensions: |
234 x 156mm (L x W) |
Pages: |
252 |
ISBN-13: |
978-0-367-77144-7 |
Categories: |
Books
|
LSN: |
0-367-77144-6 |
Barcode: |
9780367771447 |
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