"I suggest that although at any given place and moment the
aesthetic expressions of a political system just are that political
system, the concepts are separable. Typically, aesthetic aspects of
political systems shift in their meaning over time, or even are
inverted or redeployed with an entirely transformed effect. You
cannot understand politics without understanding the aesthetics of
politics, but you cannot understand aesthetics as politics. The
point is precisely to show the concrete nodes at which two distinct
discourses coincide or connive, come apart or coalesce." from
Political Aesthetics
Juxtaposing and connecting the art of states and the art of art
historians with vernacular or popular arts such as reggae and
hip-hop, Crispin Sartwell examines the reach and claims of
political aesthetics. Most analysts focus on politics as discursive
systems, privileging text and reducing other forms of expression to
the merely illustrative. He suggests that we need to take much more
seriously the aesthetic environment of political thought and
action.
Sartwell argues that graphic style, music, and architecture are
more than the propaganda arm of political systems; they are its
constituents. A noted cultural critic, Sartwell brings together the
disciplines of political science and political philosophy,
philosophy of art and art history, in a new way, clarifying basic
notions of aesthetics beauty, sublimity, and representation and
applying them in a political context. A general argument about the
fundamental importance of political aesthetics is interspersed with
a group of stimulating case studies as disparate as Leni
Riefenstahl's films and Black Nationalist aesthetics, the Dead
Kennedys and Jeffersonian architecture."
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