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Rethinking Character in Contemporary British Theatre - Aesthetics, Politics, Subjectivity (Hardcover, Digital original)
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Rethinking Character in Contemporary British Theatre - Aesthetics, Politics, Subjectivity (Hardcover, Digital original)
Series: Contemporary Drama in English Studies
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The category of theatrical character has been swiftly dismissed in
the academic reception of no-longer-dramatic texts and
performances. However, claims on the dissolution of character
narrowly demarcate what a subject is and how it may appear. This
volume unmoors theatre scholarship from the regulatory ideals of
liberal humanism, stretching the notion of character to encompass
and illuminate otherwise unaccounted-for subjects, aesthetic
strategies and political gestures in recent theatre works. To this
aim, contemporary philosophical theories of subjectivation,
European theatre studies, and experimental, script-led work
produced in Britain since the late 1990s are mobilised as
discussants on the question of subjectivity. Four contemporary
playtexts and their performances are examined in depth: Sarah
Kane's Crave and 4.48 Psychosis, Ed Thomas's Stone City Blue and
Tim Crouch's ENGLAND. Through these case studies, Delgado-Garcia
demonstrates alternative ways of engaging theoretically with
character, and elucidating a range of subjective figures beyond
identity and individuality. Alongside these analyses, the book
traces a large body of work that has experimented with speech
attribution since the early twentieth-century. This is a timely
contribution to contemporary theatre scholarship, which
demonstrates that character remains a malleable and
politically-salient notion in which understandings of subjectivity
are still being negotiated.
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