The tercentenary of Henry Purcell's death fell in 1995, and this
1995 volume of specially commissioned essays was collected to
celebrate Purcell's music in his tercentenary year. The essays are
representative of the best research and deal mainly with the
autograph manuscripts, Purcell's compositional technique, the
relationship between Purcell and his teacher John Blow, a
reassessment of Purcell court odes, performance practice and
wordsetting, and eighteenth-century reception history, particularly
regarding King Arthur. The volume is well illustrated with music
examples and photographs of important manuscripts. It also analyses
Purcell's compositional techniques through detailed study of his
manuscripts and reports on the discovery of two important autograph
manuscripts. The book opens with an assessment of Purcell's
illusive personality.
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