More wide ranging, both geographically and chronologically, than
any previous study, this well-illustrated book offers a new
definition of Celtic art.
Tempering the much-adopted art-historical approach, D.W. Harding
argues for a broader definition of Celtic art and views it within a
much wider archaeological context. He re-asserts ancient Celtic
identity after a decade of deconstruction in English-language
archaeology.
Harding argues that there were communities in Iron Age Europe
that were identified historically as Celts, regarded themselves as
Celtic, or who spoke Celtic languages, and that the art of these
communities may reasonably be regarded as Celtic art.
This study will be indispensable for those people wanting to
take a fresh and innovative perspective on Celtic Art.
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