The "(re)turn to history" in Romantic Studies in the 1980s marked
the beginning of a critical orthodoxy that continues to condition,
if not define, our sense of the Romantic period twenty-five years
on. Romantic New Historicism's revisionary engagements have played
a central role in the realignment of the field and in the expansion
of the Romantic canon. In this major new collection of eleven
essays, critics reflect on New Historicism's inheritance, its
achievements and its limitations. Integrating a self-reflexive
engagement with New Historicism's "history" and detailed attention
to a range of Romantic lives and literary texts, the collection
offers a close-up view of Romanticism's hybrid present, and a
dynamic vision of its future.
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