In the same way that Stallone and Schwarzenegger played film heroes
who came to embody the values of Ronald Reagans aggressive
conservative agenda in the 1980s, the 21st-century film narratives
of Batman, Spider-Man and Superman reflect the policies of the Bush
Doctrine after 9/11. This book offers a groundbreaking study of the
relationship that exists between post-9/11 American politics and
the contemporary superhero movie phenomenon. No other Hollywood
subgenre was as consistently popular during the George W. Bush
presidency, as films such as Spider-Man, Superman Returns, Iron
Man, and The Dark Knight embodied the key contradictions that
inform the cultural and political life of the post-9/11 years. By
combining in-depth analyses of numerous major superhero films from
this era with astute readings of contemporary critical theory, this
book offers accessible and academically potent insight into the
complex interplay between politics, ideology, and entertainment in
the 21st century.
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