"Readers will find that this work carries the pulse of their
darkest sorrows, in the breath of their humanity. Highly
recommended."--"Library Journal"
"Intimate and hypnotic."--"Ploughshares"
"Levin has the skilled ear, magnificent tongue, and fierce mind
of the truly prophetic."--"Rain Taxi"
"Levin's work is phenomenological; it details how it feels to be
an embodied consciousness making its way through the
world."--"Boston Review"
"Death is the new and unshakeable lens through which I see,"
writes Dana Levin about her third book, in which she confronts
mortality and loss in subjects ranging from Tibetan Buddhist burial
practices to Aztec human sacrifice. Shaped by dreams and "the worms
and the gods," these poems are a profound investigation of our
inescapable fate. As Louise Gluck has said: "Levin's animating fury
goes back deeper into our linguistic and philosophic history: to
Blake's tiger, to the iron judgments of the Old Testament."
"They took you in an ambulance even though you were dead,
they took you"
"and my sister said"
"Why are you saving her if she is dead?"
"shey shey--"
"Curve of sky a crescent blade."
"Vultures wheeling
on thermal parapets, shunyata, "
"void that flays--"
"Yak butter,
barley flour and tea: you watch him"
"make the paste."
Dana Levin's debut volume "In the Surgical Theatre" won the
prestigious APR/Honickman First Book Prize. She teaches creative
writing at the University of New Mexico and in the Warren Wilson
College MFA Program. She lives in Santa Fe, New Mexico.
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