Arthur C. Danto is unique among philosophers for the breadth of
his philosophical mind, his eloquent writing style, and the
generous spirit embodied in all his work. Any collection of essays
on his philosophy has to engage him on all these levels, because
this is how he has always engaged the world, as a philosopher and
person.
In this volume, renowned philosophers and art historians revisit
Danto's theories of art, action, and history, and the depth of his
innovation as a philosopher of culture. Essays explore the
importance of Danto's philosophy and criticism for the contemporary
art world, along with his theories of perception, action,
historical knowledge, and, most importantly for Danto himself, the
conceptual connections among these topics. Danto himself continues
the conversation by adding his own commentary to each essay,
extending the debate with characteristic insight, graciousness, and
wit.
Contributors include Frank Ankersmit, Hans Belting, Stanley
Cavell, Donald Davidson, Lydia Goehr, Gregg Horowitz, Philip
Kitcher, Daniel Immerwahr, Daniel Herwitz, and Michael Kelly,
testifying to the far-reaching effects of Danto's thought. Danto
brought to philosophy the artist's unfettered imagination, and his
ideas about postmodern culture are virtual road maps of the present
art world. This volume pays tribute to both Danto's brilliant
capacity to move between philosophy and contemporary culture and
his pathbreaking achievements in philosophy, art history, and art
criticism.
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