While much of Tom Stoppard's early work (Rosencrantz and
Guildenstern Are Dead and The Real Inspector Hound, for instance)
is postmodern, the remainder of his career essentially tracks
backward from there--becoming ""late modernist"" in the 1970s
(Travesties) and fully modernist in the 80s and 90s (The Real Thing
and Arcadia). This pattern also makes sense of Stoppard's recent
and uncharacteristic foray into dramatic realism with The Coast of
Utopia (2002) and Rock 'n' Roll (2006). The playwright seems to
embrace what he sees as the more straightforward rhetorical
advantages of literary realism.
General
| Imprint: |
McFarland & Company
|
| Country of origin: |
United States |
| Release date: |
November 2012 |
| First published: |
November 2012 |
| Authors: |
Daniel Keith Jernigan
|
| Dimensions: |
229 x 152 x 15mm (L x W x T) |
| Format: |
Paperback
|
| Pages: |
222 |
| ISBN-13: |
978-0-7864-6532-3 |
| Categories: |
Books >
Arts & Architecture >
General
Promotions
|
| LSN: |
0-7864-6532-8 |
| Barcode: |
9780786465323 |
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