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Authenticity in Contemporary Theatre and Performance - Make it Real (Hardcover)
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Authenticity in Contemporary Theatre and Performance - Make it Real (Hardcover)
Series: Methuen Drama Engage
Expected to ship within 12 - 17 working days
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Authenticity is one of the major values of our time. It is visible
everywhere, from clothing to food to self-help books. While it is
such a prevalent phenomenon, it is also very evasive. This study
analyses the 'culture of authenticity' as it relates to theatre and
establishes a theoretical framework for analysis. Daniel Schulz
argues that authenticity is sought out and marked by the individual
and springs from a culture that is perceived as inherently fake and
lacking depth. The study examines three types of performances that
exemplify this structure of feeling: intimate theatre seen in
Forced Entertainment productions such as Quizoola! (1996, 2015), as
well as one-on-one performances, such as Oentroerend Goed's
Internal (2009); immersive theatres as illustrated by Punchdrunk's
shows The Masque of the Red Death (2007) and The Drowned Man (2013)
which provide a visceral, sensate understanding for audiences;
finally, the study scrutinises the popular category of documentary
theatre through various examples such as Robin Soan's Talking to
Terrorists (2005), David Hare's Stuff Happens (2004), Edmund
Burke's Black Watch (2007) and Dennis Kelly's pseudo-documentary
play Taking Care of Baby (2007). It is specifically the value of
the document that lends such performances their truth-value and
consequently their authenticity. The study analyses how the success
of these disparate categories of performance can be explained
through a common concern with notions of truth and authenticity. It
argues that this hunger for authentic, unmediated experience is
characteristic of a structure of feeling that has superseded
postmodernism and that actively seeks to resignify artistic and
cultural practices of the everyday.
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