In early June 1943, James Eric Swift, a pilot with the 83rd
Squadron of the Royal Air Force, boarded his Lancaster bomber for a
night raid on Munster and disappeared. Widespread aerial
bombardment was to the Second World War what the trenches were to
the First: a shocking and new form of warfare, wretched and
unexpected, and carried out at a terrible scale of loss. Just as
the trenches produced the most remarkable poetry of the First World
War, so too did the bombing campaigns foster a haunting set of
poems during the Second.
In researching the life of his grandfather, Daniel Swift became
engrossed with the connections between air war and poetry.
Ostensibly a narrative of the author's search for his lost
grandfather through military and civilian archives and in
interviews conducted in the Netherlands, Germany, and England,
"Bomber County" is also an examination of the relationship between
the bombing campaigns of the Second World War and poetry, an
investigation into the experience of bombing and being bombed, and
a powerful reckoning with the morals and literature of a vanished
moment.
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