North American domestic missions are now situated in a complex
landscape of changing faith, ethnic diversity, and racial unrest.
But most missiological approaches continue under colonialist
assumptions and lack the cultural competency to navigate new
realities. Missiologist Daniel White Hodge explores the contours of
post-civil rights contexts and focuses on Hip Hop theology as a
framework for radical engagement of emerging adult populations. He
critiques the impaired missiology of imperialist and white
supremacist approaches to modern, urban short-term missions. With
keen cultural exegesis of the wild, he explores the contours of a
more contextualized Hip Hop Jesus. Reexamining the importance of
race and ethnicity in mission, Hodge offers theological space for
protest and social disruption and suggests conceptual models for
domestic missions within a growing multiethnic demographic.
Grounded in Hip Hop studies and youth ministry, Hodge constructs a
hybridity of lived missiology where dissent and disruption open new
possibilities for Christian faith in the twenty-first century.
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