This Handbook offers new and previously unexplored
 comparative approaches to the field of New Cinema
History. The volume brings together contributions focussing
on historical and contemporary comparative case studies of
cinema-going practices, cinema distribution, exhibition and
reception from a global perspective. Engaging with a wealth of
empirical and archive-based sources the volume explores a wide
range of methodological and theoretical approaches. This Handbook
is a key addition to debates on the relationship between film
industry and cinema-going practices across different political and
cultural geographical dimensions.
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