Mark Musa again brings his poetic sensitivity and his skill as a
translator to the difficult task of making Dante's masterpiece live
for English-speaking readers. His rendering of the Purgatory is
distinguished by the same flexible iambic verse, the same dignified
understatement, and the same elegant clarity that characterizes
Dante's own lofty and complex style. Musa's extensive annotation as
well as his prose introduction to each of the cantos reveal the
hand of the careful scholar and craftsman.
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