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Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900

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Roubiliac and the Eighteenth-Century Monument - Sculpture as Theatre (Hardcover, Reissue) Loot Price: R1,598
Discovery Miles 15 980
Roubiliac and the Eighteenth-Century Monument - Sculpture as Theatre (Hardcover, Reissue): David Bindman, Malcolm Baker

Roubiliac and the Eighteenth-Century Monument - Sculpture as Theatre (Hardcover, Reissue)

David Bindman, Malcolm Baker

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Loot Price R1,598 Discovery Miles 15 980 | Repayment Terms: R150 pm x 12*

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Louis Francois Roubiliac, the most compelling sculptor in eighteenth-century Britain, was responsible for many complex and dramatic monuments that can be seen in Westminster Abbey and churches throughout the country. This book is not only the first extended treatment of the artist since 1928 but is also an exploration of tomb sculpture in the context of the period. The first section, written by David Bindman, discusses the reasons for the commissioning of tomb sculpture, ideas of death and the afterlife, the setting of the tomb, the themes that govern its imagery, and the negotiations between sculptor and patron. The second section, written by Malcolm Baker, examines in detail the processes involved in the design and making of the monuments. Through an analysis of the monuments themselves, the surviving models, and a range of documentary evidence, Baker considers Roubiliac's technical procedures and compares them to those of other sculptors in Britain and on the continent. The volume ends with a full catalogue raisonne of Roubiliac's known monuments. Each commission is discussed in detail, with full accounts of contemporary documentation, inscriptions, physical construction, and related models. By examining the particular social and religious conditions of the time it becomes possible to account not only for the distinctive features of Roubiliac's work and practice but also for how such theatrical works came to be accepted and admired. The book is fully illustrated, all the major works having been newly photographed to make visible details that are impossible to see under normal viewing conditions. Published for the Paul Mellon Center for Studies in British Art

General

Imprint: Yale University Press
Country of origin: United States
Release date: September 1995
First published: September 1995
Authors: David Bindman • Malcolm Baker
Dimensions: 254 x 191 x 38mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 424
Edition: Reissue
ISBN-13: 978-0-300-06333-2
Categories: Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > General
Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms > General
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Individual artists > General
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Religious subjects depicted in art
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LSN: 0-300-06333-4
Barcode: 9780300063332

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